BOOK REVIEW: Olav Audunsson IV: Winter by Sigrid Undset

I received this book for free from Netgalley. That did not influence this review.

The fourth and final novel in Sigrid Undset’s masterpiece of historical fiction, Olav Audunsson IV: Winter (translated by Tiina Nunnally) has recently been released. I really can’t praise this quartet enough. Please read the series in sequence — I: Vows, II: Providence;III: Crossroads, and finally, IV: Winter. This new translation manages to be both spare and beautiful.

The novels are set in 13^th-14^th century Norway, a generation before Undset’s Nobel Prize-winning Kristin Lavransdatter.

The story follows the life of Olav Audunsson from childhood until death. He is a God-fearing man. He inherits property and eventually becomes a wealthy, respected member of his community. And his whole life is centered (for good and bad, mostly bad) around his undying love for his childhood friend, Ingunn Steinfinnsdatter. Everything happens that one might expect: death of parents, unwise premarital sex, exile, war, murder, unfaithfulness, reconciliation, marriage, birth of children, death of children, estrangements, and religious agony and ecstasy. Even so, it is in many ways a quiet book, with more happening internally than externally.

The tragedy of Olav’s life rivals that of any Greek tragedy. The cascading misfortunes that follow youthful errors haunt him his entire life. His sins are visited upon his children. He is unhappy throughout his life and his actions cause others misery as well. And yet, for all my frustration with him, I also had enormous empathy for him. This medieval man truly lives and breathes on these pages.

BOOK REVIEW: Olav Audunsson III: Crossroads by Sigrid Undset

 I received this book for free from Netgalley. That did not influence this review.

I’ve been following the story of Olav Audunsson (also known as The Master of Hestviken) in the new translation of Sigrid Unset’s masterpiece set in 13th-14th century Norway. (The translator is Tiina Nunnally.) The story is told in four volumes. I’ve read Book I: Vows and Book II: Providence, and reviewed them previously. The current book, Book III, is called Crossroads. I highly recommend reading them in order or the power of the story will be lost.

Book III continues seamlessly from where Book II ends. Olav is master of the profitable estate called Hestviken. He’s still young (late thirties), handsome, and healthy. However, he grieves the loss of his wife, Ingunn, who was the love of his life, despite their terrible experiences apart and together. Olav has resolved never to remarry or take a mistress because he still feels bound to her.

He has an heir, Eirik, who he has claimed as his own, although the child was fathered by a man who raped Ingunn. Eirik is growing to manhood. Although the reader can have flashes of sympathy for him, he’s not a likable boy. He’s given to whining, boasting, and lying. However, he senses that his father doesn’t like him – which is true – and that makes his desperate personality more understandable. Olav has never let on to anyone that Eirik is not his biological child. Even to himself, he accepts Eirik as his son. But there is also the question of his natural son, Bjorn, born to Torhilde, the woman who was once the housekeeper of the estate. Bjorn is a beautiful boy and Olav wishes he could have more to do with him than he does. 

Basically, Olav is a hot mess. He’s always been a deeply religious man, but he’s oppressed by the weight of his sins and wallows in conflicted feelings of unworthiness. He is deeply connected to his estate, but is bored by it. He mourns Ingunn, but still feels attracted to Torhilde. He leaves Hestviken for a short commercial voyage to London, during which he nearly sleeps with a very young married woman who reminds him of Ingunn. He has a religious experience and seriously considers becoming a monk. Yet throughout, he is incapable of making a significant change in his life and continues muddling along.

Eventually, war comes to his corner of the world and he sets off to take part. This reminds him of his soldiering days in his youth. He exhilarates in battle. He’s severely wounded. Good men are lost, but he survives and returns home. One expects that the clarity he felt in battle will not remain in peacetime, and he will return to his indecisiveness and wallowing.

It’s difficult to explain why this book is so compelling. Olav is not a particularly admirable character. In many ways, he’s rather weak. Still, the author gives such a convincing portrait of a medieval Norwegian “everyman” that I’m hooked. There is one more part to this quartet. I’m anxious to see how Olav’s story ends.

BOOK REVIEW: Olav Audunsson II: Providence by Sigrid Undset

 I received this book for free from Netgalley. That did not influence this review.

I just finished reading Olav Audunsson Book II: Providence by Sigrid Undset, translated by Tiina Nunnally. What an extraordinary achievement this work is. When I was approved for this book, I also bought Book 1: Vows because I knew I should read it first. I’m glad I did. I don’t think this volume, as wonderful as it is, would stand on its own. To fully appreciate what these characters are going through, the backstory is needed. And the story is very well worth reading as a whole.

Providence picks up where Vows left off. The ill-fated young lovers, Olav and Ingunn, have finally been reunited after years and years of separation, guilt, and despair. They suffered extreme hardship due in large part due to cruelties of their families and society, but also due to their own small errors which were compounded by even greater sins. One thing kept leading to another in that book and they really did seem cursed by Fate. But they are now in a position to find that love will conquer all.

It does not.

Providence is a powerful and devastating book. Set in medieval Norway, the landscape is frozen and harsh. Men are dragged off to war by their kings for conflicts in which they have little stake. And God is ever present in their lives as a force that is more oppressive than hopeful. Reaching out for His grace has far-reaching consequences. Neighbors are far less forgiving than God.

Olav Audunsson is now master of a wealthy estate. He brings his wife Ingunn home. He fully intends to put the past behind them and forgive her completely. (She had a child during their years of separation, a son, born after an adulterous encounter that was less her fault than she believes it to be.) She’s unable to forgive herself. When she miscarries again and again, she comes to believe that it’s God’s punishment for her adultery and, more particularly, for abandoning her son. Olav is unable to bear her misery, so he goes and retrieves the boy from the foster parents, claiming him as his own.

This means the familial inheritance will go to an illegitimate heir who is not really Olav’s offspring. If Olav’s relatives ever found out, he’d be in big trouble for allowing the estate to pass outside the family line. It also means if Olav and Ingunn ever do have a son, he’ll take second place to the older boy. For all Olav insists it doesn’t matter to him, it does. He treats the boy as decently as he can, but he just doesn’t like him. And this drives even more of a wedge between him and his wife.

Ingunn is not the only one sunk in despair over a guilty conscience. There is also the matter of Olav’s crime. He murdered the man who seduced Ingunn and hid the evidence. All to protect her honor, of course. He grows increasingly desperate to make his peace with God but if he confesses, he’ll have to do penance, the truth will come out, and everything gained by the original secrecy will be lost. Ingunn and the boy will be harmed. Ingunn insists he can’t do that to her. So he continues to live with the unconfessed sin, growing more and more taciturn and withdrawn.

Ingunn is not a healthy woman to begin with and multiple miscarriages strip her of any strength she might have had. She’s also a terrible housekeeper/female head of an estate. The only time she shows any gumption is in defense of her son. She’s a shadow of her former self. She loses all her beauty. She’s a millstone around Olav’s neck. And yet, they still love each other with the fiercely strong remnants of their original love.

Things go from terrible to unbearable as Olav and Ingunn struggle with their despair. Every once in a while, Olav is overcome by religious conviction, but it’s leached away by Ingunn’s dependency and the knowledge that her ruined life is his fault.

This book is incredibly bleak, as this pared down plot summary shows. And yet it’s beautiful in its harsh way. The characters are so realistic, so human, that it’s impossible not to empathize with their pain.

I don’t know when Book 3 will be released but I’ll certainly read it, hoping things might turn around for Olav, but expecting they won’t.

BOOK REVIEW: Olav Audunsson. I. Vows by Sigrid Undset, translated by Tiina Nunnally

Nobel-prize winning Sigrid Undset is best known for her three-volume novel of medieval Norway, Kristin Lavransdatter, published in 1920-1922. Less well known is her four-volume epic, The Master of Hestviken, otherwise known as Olav Audunsson. It’s also set in medieval Norway, but in the late 13th and early 14th centuries, a generation before Kristin Lavransdatter.

Tiina Nunnally has undertaken a new translation of the masterwork. The first volume, Vows, was published last year.

In this superb historical novel, we meet Olav Audunsson as a boy on the verge of manhood, living with his foster family, a family headed by Steinfinn Toresson. He’s treated with a benign neglect alongside the children of the family. Steinfinn and his wife have other problems and don’t pay much attention to what the children are getting up to.

What makes Olav unique is his bond with the eldest daughter, Ingunn Steinfinnsdatter. When they were children, the two fathers betrothed them in a silly ceremony while drunk. There has been a general acceptance of the betrothal ever since, though no one takes it very seriously except the children themselves. They grow from playmates to best friends. Neither ever questions the belief that they will spend the rest of their lives together.

Olav reaches adolescence. He’s only a year older than Ingunn, but his hormones kick into gear. She adores him, trusts him completely, and is frighteningly innocent. After a critical battle in the adult world, one in which Olav takes part, there is much celebratory drinking and carousing, and Olav and Ingunn slip away and consummate their betrothal. Not a good idea.

Olav is years away from his majority. Ingunn is only about 15. Had the foster parents lived, the marriage might have been rushed ahead, validating the union. But Steinfinn dies of his battle wounds and his wife precedes him, dying rather mysteriously. Ingunn is now a ward of her uncles, who see her as too valuable to give to Olav who, though he may have property to inherit, has no important political connections. Thinking to improve his chances of gaining the bride he thinks of as rightfully his, Olav confesses to the local bishop that he and Ingunn have already slept together. Things go from bad to worse.

The two are parted for years while Olav tries to earn enough clout to claim Ingunn. The unfortunate Ingunn is shelved in a remote estate with an elderly aunt and even more elderly grandmother. It’s a frustrating existence for Olav and a stultifying one for poor Ingunn. 

The novel delves deep into the customs and beliefs of the times. It immerses the reader in the rhythms of their daily lives and the passing of years. It shows how lives are altered by unwise choices and how one mistake compounds another. And yet, through it all, there is a beauty in the love of this pair for one another. It is, according to the author, “the simple story of a man and the people who intervene in his life.” It is that, though Olav was much more active in shaping his own life than Ingunn was allowed to be. Her passivity is painful to a modern reader, but faithful to the historical reality, which makes the novel all that more compelling.

This is gorgeous, epic, old-fashioned historical fiction, in a beautifully fluid translation. I’m looking forward to continuing the saga in book 2.