The Most Beautiful Woman in Florence by Alyssa Palombo is a sweet and heartbreaking story of the love between Botticelli and his muse, Simonetta Cattaneo, the model for Botticelli’s masterpiece: The Birth of Venus.
Simonetta is the daughter of a minor nobleman in Genoa who captures the eye of a handsome, wealthy, politically-connected Florence noble named Marco Vespucci. By showing appreciation for her love of Dante’s poetry as well as her extraordinary beauty, (mostly the latter, though Simonetta fixates on the former), he woos and wins her. He promises she’ll be the toast of the court of the powerful Lorenzo de Medici, who is a great patron of the arts. Although she’s a little intimidated by all the wealth and power, and by the sometimes heretical-sounding conversations, Simonetta is eager to immerse herself in the intellectual and artistic company that surrounds Lorenzo.
Marco is right. The court (at least the men) fall at Simonetta’s feet. At Lorenzo’s home, Simonetta first notices Botticelli’s art and then she is introduced to the man. At once, he makes known his desire to paint her. Simonetta is thrilled, though at first it seems wishful thinking on both their parts rather than an actual possibility. Marco doesn’t take to Boticelli, a social inferior.
The marriage between Marco and Simonetta is a happy one at first. He is devoted and she wants to be in love. However, their interests diverge. Marco is a political "climber." Having a wife who is known as the most beautiful woman in Florence, perhaps all of Italy, and who is intelligent and charming as well, helps to make Marco a favorite with the Medicis. But he doesn’t share her love of art, poetry, or literature. He’s a busy man. So when Simonetta is finally allowed to sit for a portrait by Botticelli, and they fill long days with conversations about topics dear to Simonetta’s heart, it’s clear that the marriage is in trouble. Marco’s subsequent behavior makes things worse.
This novel lushly describes the beauty of Renaissance Florence by making Simonetta its emblem. Her matter-of-fact acceptance of her physical attributes and the way she accepts that advantages flow her way because of her appearance yet never seems particularly vain, and her frustration with being seen always as an object make her a sympathetic and admirable protagonist. She retains a sweet naivete even as she challenges expectations and breaks rules.
But even perfect beauty and a generous spirit provide no guarantees against heartbreak. This poignant love story is a wonderful addition to the genre showing artists and the significant others who give them inspiration.
Monday, June 26, 2017
Sunday, June 18, 2017
BOOK REVIEW: The Shadow of the Wind by Carlos Ruiz Zafron
Over the years, I’ve seen a bunch of reviews for The Shadow of the Wind by Carlos Ruiz Zafon. It is uniformly praised as one of the best novels about books—a literary historical fiction adventure. I finally sat down to read it.
The protagonist is Daniel Sempere, the son of a rare book seller in Barcelona in the mid-twentieth century. When Daniel is just a boy, his father takes him to "The Cemetery of Forgotten Books," a secret place, in an attempt to help ease his heartbreak over the fading memory of his deceased mother. Daniel wanders through miles of bookshelves to find just the right book to adopt and settles on The Shadow of the Wind by Julian Carax. He falls in love with the book and determines to read everything by Carax. However, he discovers that not only is Carax virtually unknown, but that to the rare bibliophiles who have heard of him, the books are secondary in importance to the mystery surrounding him.
Julian Carax was an obscure man whose works were published in limited runs by tiny presses. The books never achieved any success. Carax died in mysterious circumstances. Someone went around acquiring and destroying every copy of his work. Now it seems that Daniel has the only existing copy. The book and Daniel become targets.
Daniel devotes his young life to learning about Carax and trying to unravel the explanation for the destruction of the books. Along the way, Daniel grows up, grows apart from his devoted father, falls in love a couple of times and works in the bookshop alongside his father. He also is threatened by a mysterious figure who smells of burned paper and who tries to get the book away from him.
The plot becomes increasingly complex as Daniel meets more and more characters related in one way or another to Carax. As he comes closer to understanding, he also notices more and more disturbing parallels between himself and the author. As he inserts himself into Carax’s story, the danger increases for Daniel and for those close to him.
I have mixed feelings about the book. It has a lengthy set up and the first half reads slowly. The set up is necessary, but the book was very easy to put down and I kept considering switching to something else. Still, I was determined to finish. After about 200 pages, enough of the plot was coming together to keep me reading. Some of the secondary characters were compelling, though I never really warmed to Daniel. The prose was quite beautiful with wonderful imagery, but the unfolding of the story was sometimes clunky.
The novel does wind its way to an exciting and satisfying conclusion. Loose ends are tied up and things that seemed coincidental were shown to actually have been carefully plotted. It’s a book I’m glad to have read, but am also somewhat disappointed to find it didn’t quite live up to expectations—which may be a fault of the expectations rather than of the book.
The protagonist is Daniel Sempere, the son of a rare book seller in Barcelona in the mid-twentieth century. When Daniel is just a boy, his father takes him to "The Cemetery of Forgotten Books," a secret place, in an attempt to help ease his heartbreak over the fading memory of his deceased mother. Daniel wanders through miles of bookshelves to find just the right book to adopt and settles on The Shadow of the Wind by Julian Carax. He falls in love with the book and determines to read everything by Carax. However, he discovers that not only is Carax virtually unknown, but that to the rare bibliophiles who have heard of him, the books are secondary in importance to the mystery surrounding him.
Julian Carax was an obscure man whose works were published in limited runs by tiny presses. The books never achieved any success. Carax died in mysterious circumstances. Someone went around acquiring and destroying every copy of his work. Now it seems that Daniel has the only existing copy. The book and Daniel become targets.
Daniel devotes his young life to learning about Carax and trying to unravel the explanation for the destruction of the books. Along the way, Daniel grows up, grows apart from his devoted father, falls in love a couple of times and works in the bookshop alongside his father. He also is threatened by a mysterious figure who smells of burned paper and who tries to get the book away from him.
The plot becomes increasingly complex as Daniel meets more and more characters related in one way or another to Carax. As he comes closer to understanding, he also notices more and more disturbing parallels between himself and the author. As he inserts himself into Carax’s story, the danger increases for Daniel and for those close to him.
I have mixed feelings about the book. It has a lengthy set up and the first half reads slowly. The set up is necessary, but the book was very easy to put down and I kept considering switching to something else. Still, I was determined to finish. After about 200 pages, enough of the plot was coming together to keep me reading. Some of the secondary characters were compelling, though I never really warmed to Daniel. The prose was quite beautiful with wonderful imagery, but the unfolding of the story was sometimes clunky.
The novel does wind its way to an exciting and satisfying conclusion. Loose ends are tied up and things that seemed coincidental were shown to actually have been carefully plotted. It’s a book I’m glad to have read, but am also somewhat disappointed to find it didn’t quite live up to expectations—which may be a fault of the expectations rather than of the book.
Labels:
historical fiction,
literary,
mystery,
Spain,
twentieth century
Thursday, June 8, 2017
BOOK REVIEW: The Baker's Secret by Stephen P. Kiernan
My most recent read is The Baker’s Secret by Stephen P. Kiernan. It focuses on the inhabitants of a small farming and fishing village in Normandy in the time leading up to D-Day. The heroine is Emma, a young, talented baker, who learned her craft from a Jewish baker. "Uncle Ezra" was much beloved by the villagers, but they were powerless to help the day the occupying Germans shot him on a trumped-up charge.
Emma’s bread is discovered by the German commander occupying her town. He decrees she must make twelve baguettes per day for his table and he’ll give her the provisions to do so. It occurs to her to stretch the dough with ground straw so that she can make two extra loaves each day that she secretly distributes. As she gives away the bread, she learns the particular needs of her neighbors, as well as what each is able to provide in return. Slowly, she creates a network of exchange that helps undermine the German oppression and helps her neighbors to survive.
Emma is a wonderful protagonist, but she’s not perfect. She’s judgmental and holds grudges. But she’s also patient, intelligent, and good. She’s pragmatic, dealing with each day as it comes, refusing to indulge in the rather hopeless optimism of those who wait for the allies to liberate them. She also regularly confronts the village priest whose exhortations to attend mass and pray seem to her to fall short.
Other characters round out the village: Odette, the cafĂ© owner who hides her knowledge of the German language and serves both villagers and enemies with black market goods; Guilhaume, the gentle, large-hearted veterinarian; the Monkey Boy, a cross between village idiot and idiot-savant; the Goat Boy (cruelly named by Emma), a rag-tag member of the resistance; Pierre, an old farmer, veteran of the Great War. There are also collaborators, the beautiful Michelle and the embittered, petty tyrant DuFour. While they are all types, they are also well-developed. Emma has compassion even for those she doesn’t like.
The French villagers have hunkered down in survival mode. Time grinds them down. The Germans, uniformly villainous, murder for the flimsiest of reasons. In this atmosphere of terror and deprivation, they wait for deliverance, doing what they can to support one another and the resistance.
The book has a slow build but then becomes impossible to put down.
WWII fiction is always compelling, but so depressing. Even though they often have uplifting messages and brave, compassionate protagonists, the good people are surrounded by ugliness and the worst examples of humanity. It can be painful to read. Nevertheless, The Baker’s Secret is well worth it.
Emma’s bread is discovered by the German commander occupying her town. He decrees she must make twelve baguettes per day for his table and he’ll give her the provisions to do so. It occurs to her to stretch the dough with ground straw so that she can make two extra loaves each day that she secretly distributes. As she gives away the bread, she learns the particular needs of her neighbors, as well as what each is able to provide in return. Slowly, she creates a network of exchange that helps undermine the German oppression and helps her neighbors to survive.
Emma is a wonderful protagonist, but she’s not perfect. She’s judgmental and holds grudges. But she’s also patient, intelligent, and good. She’s pragmatic, dealing with each day as it comes, refusing to indulge in the rather hopeless optimism of those who wait for the allies to liberate them. She also regularly confronts the village priest whose exhortations to attend mass and pray seem to her to fall short.
Other characters round out the village: Odette, the cafĂ© owner who hides her knowledge of the German language and serves both villagers and enemies with black market goods; Guilhaume, the gentle, large-hearted veterinarian; the Monkey Boy, a cross between village idiot and idiot-savant; the Goat Boy (cruelly named by Emma), a rag-tag member of the resistance; Pierre, an old farmer, veteran of the Great War. There are also collaborators, the beautiful Michelle and the embittered, petty tyrant DuFour. While they are all types, they are also well-developed. Emma has compassion even for those she doesn’t like.
The French villagers have hunkered down in survival mode. Time grinds them down. The Germans, uniformly villainous, murder for the flimsiest of reasons. In this atmosphere of terror and deprivation, they wait for deliverance, doing what they can to support one another and the resistance.
The book has a slow build but then becomes impossible to put down.
WWII fiction is always compelling, but so depressing. Even though they often have uplifting messages and brave, compassionate protagonists, the good people are surrounded by ugliness and the worst examples of humanity. It can be painful to read. Nevertheless, The Baker’s Secret is well worth it.
Labels:
France,
historical fiction,
WWII
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