Tuesday, April 23, 2019

BOOK REVIEW: The Golden Age of Burgundy: The Magnificent Dukes and their Courts by Joseph Calmette

I’m just back from an extraordinary vacation – a barge tour of canals in Burgundy. My husband and I were celebrating our 30th anniversary so we wanted to do something special.

I couldn’t head off to Burgundy without learning a little of the history. I wish I’d studied up more, but limited myself to the book, The Golden Age of Burgundy: The Magnificent Dukes and their Courts by Joseph Calmette. The book was first published in 1949 and the English translation was first published in 1962 and it’s written in a fairly dry, historical monograph style. It covers the time period between 1364 and 1477, a time when the Duchy of Burgundy vied for supremacy with the kingdom of France. For a while, it seemed Burgundy would surpass France in wealth, splendor, and power, or possibly even absorb France altogether into a Burgundian kingdom.

The dukes who ruled during this Golden Age were Philip the Bold, John the Fearless, Philip the Good, and Charles the Rash. Calmette gives a chronological account through the reigns of each of the men. It’s necessarily focused, concentrating mostly on the conflict with France, but demonstrating the reach of the Burgundian dukes. Their domains stretched from present day Holland and Belgium to Southern France and included parts of what is now Germany. The borders were constantly expanding and contracting due to a combination of war, diplomacy, and marriage alliances. The dukes were educated, well-read, and patrons of the arts.

This book was somewhat dry, examining the successes and shortcomings of each of the men as leaders and administrators, but showing very little in the way of their personal lives. Still, it was a wonderful book for providing sweeping historical context. Combining it with a vacation left me wanting to know more. I’ll have to go back!
Tower of John the Fearless in Paris

Wednesday, April 10, 2019

BOOK REVIEW: The Love Artist by Jane Alison

The Love Artist by Jane Alison is a gorgeous, lyrical historical novel about Ovid and his mysterious muse, Xenia.

Ovid is a classical Roman poet best known for "The Art of Love" and "Metamorphoses." About the time he was writing "Medea," a play of which only two lines survive, he was banished by Augustus Caesar to Tomis, on the western side of the Black Sea. The end of the world. His crime is not recorded but since his exile lasted until his death, it must have been significant.

Alison imagines the artist’s biography from this time, filling in the historical blanks by creating a relationship with an exotic, beautiful witch, Xenia.

After "The Art of Love," Ovid is not in the stoic Augustus’ good graces. His friends urge him to absent himself from Rome until things blow over, to help ensure the success of his new work, "Metamorphoses." Ovid sails across the Black Sea to the Caucasus. There he meets Xenia.

This young woman has grown up among strangers, so is always an outsider. Her earliest memory is of being cast out to sea in a basket by her mother to die. Xenia is raised by Phasians (an ancient Colchian tribe, according to Wikipedia) and learns to read, to heal, to tell fortunes, and to cast spells. She’s a witch, but that isn’t a bad thing. She knows who Ovid is. She reads his poetry. When she hears he has arrived in her town, she lures him to her.

The magical lure is probably unnecessary, because Ovid grew intrigued by her even before the spell after catching an accidental glimpse of her. Or maybe that was part of her spell. He begins stalking her even as she bewitches him. Before long, they become lovers.

The prose is dreamy and soft-edged and beautiful. Ovid is inspired by Xenia. As he studies her, his next work flows from his stylus. She knows he’s using her in this way, but it doesn’t frighten or annoy her (as it did a previous love of his.) Xenia wants to become part of his art. She knows Ovid’s words will make him immortal and she wants his words to immortalize her.

Ovid realizes it’s time to return to Rome. He needs Xenia to come with him. Xenia realizes Ovid is getting ready to leave, and she casts a spell to make him ask her to follow him. Thus far, they are working towards a common purpose, but there is mutual insecurity and desperate dependence going on, too. Once they arrive in Rome, things get nasty. Xenia is not thrilled with Ovid’s social whirlwind and the many women who occupy his sphere. Ovid realizes he can use her jealousy to his art’s advantage.

Ovid needs a patron and finds one in Julia, the embittered grand-daughter of Augustus. He begins manipulating Xenia’s suspiciousness and jealousy so that he can transform it into his art. Xenia is both aware and unaware of what he’s doing. They are completely entwined with one another’s lives, but they no longer trust each other. Ovid delves deeper and deeper into the dark psychology of the play he is writing, one with a horrific ending, and is urged by Julia to finish what he has started.

The novel is short and builds slowly, but the final chapters are riveting. Ovid is so self-absorbed, and so desperate to believe that his work will live on after he dies, that he starts to seem mad. Either that or evil. Or both. And Xenia will either succumb to his mad plotting or she must find a way to break free.

I could not put the book down until I knew how it would play out.

Sunday, April 7, 2019

BOOK REVIEW: Duplicate Death by Georgette Heyer

I received this book for free from Netgalley. That did not influence my review.

Duplicate Death by Georgette Heyer is the next re-release of a Heyer historical mystery by Sourcebooks. It follows the fortunes and misfortunes of the Kane family, introduced in They Found Him Dead, as well as the ongoing career of Inspector Hemingway.

It is fourteen years later. Timothy Harte, the too-curious, gore-loving young stepbrother of Jim Kane, the previous protagonist, is now grown up and engaged to be married. But his bride-to-be does not meet with his mother’s approval. Beulah Birtley has a secret past and no family to speak of. She works as a secretary/girl Friday for a social climbing newcomer, Mrs. Haddington. Mrs. Haddington has brought her strikingly beautiful daughter Cynthia to London to catch a wealthy, preferably titled gentleman. She has Timothy in her sights.

Things may have gone smoothly for Timothy and Beulah despite family disapproval and Mrs. Haddington’s scheming if an old friend of Mrs. Haddington’s (and possible new friend of Cynthia’s), Mr. Dan Seaton-Carew, had not been murdered at a duplicate bridge card party thrown by Mrs. Haddington.

The local police are quickly stumped and bring in Chief Inspector Hemingway, who is surprised and delighted to be reunited with Jim Kane and Timothy Harte. He is less delighted to find that Timothy’s fiancee is one of the primary suspects. He has encountered Beulah before, in a professional capacity.

There were numerous people at the party and several had opportunity to murder Seaton-Carew. A few even had motive, as Hemingway discovers. But it’s almost impossible to fit all the clues together. And, just when he thinks they may have it figured out, the person they believe to be the murderer is killed in exactly the same way.

Heyer’s mysteries are entertaining brain teasers, complete with wry humor and sweet romance, but she belonged to a different time. The novel is dated in some of its language and prejudices, so be prepared.