I love older books. My toppling-over TBR pile is crowded with new releases and books that were new releases but haven’t been read yet, but that doesn’t stop me from reaching for something timeless.
Which brings me to Barbara Pym’s Excellent Women. I’ve read a couple of her books in the past. They are quiet, charming, and funny.
Excellent Women focuses narrowly on the first-person narrator, Mildred Lathbury. It is early in the post-WWII period. (The novel was written in 1952.) Mildred is a clergyman’s daughter who kept house for her father after her mother’s death. After his death, she moved to a small flat in Pimlico and attached herself to the Anglican church parish there. She is close friends with her neighbors, Father Julian Malory and his sister, Winifred, and very involved with the church. She also has a part-time job with the Society for Distressed Gentlewomen (or something like that.) She has an old school chum who she sees from time to time, who lives outside the city. And she is content with her peaceful yet busy life.
This is upended when new people intrude. First, Mrs. Napier moves into the empty flat in Mildred’s building. Mrs. Napier is the wife of a lieutenant currently stationed in Italy who is expected back in London soon. But Mrs. Napier is also an anthropologist who is enamored of another anthropologist, Everard Bone. The man comes and goes from her flat at odd hours, and Mildred hears sounds of argument that are unsettling. Even more unsettling is the husband’s return. Rockingham (Rocky) is handsome and charming, and turns Mildred’s head even as she recognizes that his charm is superficial and a weapon he uses on everyone. Everard is sincere but not at all charming. Mildred is drawn into the messy lives of this trio.
At the same time, the Malorys take a border, Mrs. Gray, a clergyman’s widow. She is a beautiful, take-charge type of woman who quickly catches Julian’s heart. When they become engaged, Mildred discovers herself pitied by the other church members as a rejected woman, even though she insists she’d never considered a match between her and Julian. It’s even worse for Winifred, who it appears will be relegated to an unwelcome third wheel.
As lives grow more complicated around her, Mildred considers the mysteries of love and attraction, but from a detached, lightly ironic perspective. She’s tired of being the person always relied upon to tidy the dishes of others and stand by with a ready cup of hot tea. On the other hand, this is who she is. She can’t help herself.
In the end, she misses her comfortable solitude. Spinsterhood is apparently not the tragedy it’s made out to be.
The novel is a delight.

















