I’ve fallen way behind on my reading for two main reasons. First, I’m working on my next novel and writing to a deadline. Second, the book I was reading was not one to fly through. It’s a biography of Christopher Marlowe. I’ve had a vague interest in Marlowe for a long while, but I only knew of him as someone “Shakespeare-adjacent.” A contemporary of Shakespeare, Marlowe was also a playwright and poet. He was reportedly a spy for Queen Elizabeth’s spymaster. And he died far too young in a barroom brawl, or some such thing. That is a woefully inadequate biography.
What really pulled him from the shadows for me was Allison Epstein’s extraordinary novel, A Tip for the Hangman, which I highly recommend. More recently, I came across this literary biography by Stephen Greenblatt, Dark Renaissance: The Dangerous Times and Fatal Genius of Shakespeare’s Greatest Rival.
This book succeeds best as a literary biography, more so than as a straight biography. The difficulty is that so much of Marlowe’s life story just isn’t known. Particularly when dealing with Marlowe’s early life, but not exclusive to his early days, we are asked to follow along with the author’s speculations and imaginings. And while they are educated, reasonable speculations, I was frustrated in wanting more certainty from a biography, even though I recognize that information is lost in the past.Greenblatt does a wonderful job of explaining the dangerous times that Marlowe was living in. The Protestant-Catholic suspicions and plots created a highly anxious society with an undercurrent of violence. Marlowe was sucked into the world of espionage on behalf of Queen Elizabeth’s spy-ring. He was murdered in a tavern, the crime officially explained as a quarrel over the bill. All of which makes his life intriguing.
But what he should be remembered for is not the spying, but his extraordinary literary talent. This biography examines in depth his plays and some of his poetry. It interprets them, and Marlowe’s motivations for writing them, in light of the life he was living. It all sounds plausible, and it is fascinating, but first you have to accept Greenblatt’s speculations about that life and about those motivations.
Marlowe’s life can be summed up as “live fast, die young.” But his life’s work lives on. It especially lives on in the influence he had on contemporary and future writers.
(If you like literary biographies, I highly recommend Super-Infinite by Katherine Rundell, which is a biography of John Donne.)

















